Author: tristanlindsay

  • The Call of the Wild

    Extraordinary Adventure
    70

    Jack London’s Call of the Wild opens on a bucolic countryside with a protagonist who in many ways is much like myself. I mean, save for the fact that he’s a dog, there’s almost no difference. Yes friends, Buck is a Saint Bernard who’s been domesticated. He’s managed to scratch out for himself a pretty cushy life in California (I live elsewhere, but still). He’s well taken care of, a little soft around the edges, but when Buck gets sold to pay off a minor character’s gambling debt, the story takes off. You see Buck is so well taken care of that he has become physically quite impressive, again much like myself.

    Though admittedly, neither one of us could hold a candle to Krypto the Superdog.

    It is the Klondike Gold Rush and dogs that can be trained to pull the sleds are being bought and sold at a high premium. Buck is trained as a sled dog and eventually learns how to work and survive. There is a pretty vicious fight between Buck and the leader of the sled dogs and after a series of harrowing adventures quite a bond also develops between Buck and a wolf from one of the local wolf packs. It is probably no secret that Buck must constantly walk the line between domestication and the titular Call of the Wild and we, the readers, are ping-ponged back and forth between which path we think he might choose.

    No joke: The Klondike Gold Rush is the supposed source for the majority of Scrooge McDuck's fortune.

    Despite most of the time being cute, animal stories are the foundation of many famous careers. Brian Jacques, Felix Salten, and Walt Disney to name a few, but Jack London’s career is actually quite an adventure tale as well, though it is possible that much of it is puffed up to make him seem more adventurous than he really was.  Self-educated, London actually spent most of his time in a local tavern picking up odd jobs such as being an oyster pirate. He also participated in the famed Klondike gold rush in the Yukon where a lot of his most popular stories are set.

    Another one of his odd jobs was as a butler for the Munsters.

    The other strange thing about The Call of the Wild and Jack London specifically is that he was often accused of plagiarism. The creepy thing is that this was not the only time London was accused of such an act. He was also accused of plagiarizing The Story of Ab for his prehistoric novel Before Adam. Even more disturbing is the fact that London did not even bother to deny these charges. In fact, he boldly stated that another book My Dogs in the Northland was “inspiration” for The Call of the Wild. It however appears to be more than inspiration as many of the dogs names are the same or similar and some of the scenes and sequences match up. Even some of the phrasing is the same. It’s possible that number  seventy on our list should actually be My Dogs in the Northland by Edgerton Young instead of The Call of the Wild. That being said, London actually has the better book, so despite the fact that he kinda stole it. It remains where it is on our count down.

    In an ironic twist of fate Edgerton Young later admitted to stealing My Dogs in the Northland from this 1990s Cuba Gooding Jr. masterpiece.

    Note: Because its hero is a dog, The Call of the Wild is sometimes sold as a kiddy story or a young adult novel, but with its casual violence and vague allusions to the Joseph story from The Bible, Call of the Wild is actually quite grown up and a fine addition to any adventurer’s library.

    Next up … number 69.

  • Sinbad

    Extraordinary Adventure
    72

    The name Sinbad has so much intrigue surrounding it that the actual legend itself has become a bit nebulous. There are so many different versions that it is hard to pin down just exactly what the story actually is. As far as we can figure it is of Persian origin. This is not extremely helpful, however, because as of now, no Persian rendition of the story exists. Instead, The 7 Voyages of Sinbad the Sailor are recounted by a woman named Scheherazade in a collection called 1001 Arabian Nights.

    This random comedian (whose name escapes me) has been kind enough to have all seven voyages embroidered onto his shirt.

    The premise of Arabian Nights is that the king of Bagdad executes a new bride every night as sort of a tax on beauty. In modern times this would make the king a serial killer, but back then it was considered romantic I guess. Scheherazade, in order to postpone her inevitable death, begins to tell the king various different tales. She always stops these tales at critical points so that the king has to delay her execution another night if he desires to know the outcome. Arabian Nights is the source for both Ali Baba, and Aladdin, as well as the phrase “Open Sesame” and therefore also the source of Sesame Street.

    Also it inspired a dinner show in Orlando which has something to do with Unicorns. Nothing says adventure like cold salisbury steak!

    When Scheherazade got to the Sinbad part of her stories though, she must’ve become a tad confused because Sinbad’s seven voyages borrow heavily from other classic myths, especially Greek ones. For instance, consider that both Sinbad and Odysseus battle a Cyclops and they both eat a magical plant that relieves them of their senses. This may have caused screenwriter John Logan to set the hugely unpopular DreamWorks version in Greece instead of Arabia. Initially this caused Arab interest groups to cry foul because Sinbad was no longer depicted as an Arab. While I agree that it was a tad cowardly of DreamWorks to do this, Scheherazade clearly stole from Homer, so turnabout is fair play.

    In attempt to atone for stealing from the Greeks, all other versions of Sinbad are required to steal from somewhere else. Here the hindu goddess Kali shows up for some odd reason.

    Aside from the actual Arabian Nights version, there are several different versions of the Sinbad legend. Most of them are not bad. The aforementioned DreamWorks animated version with Brad Pitt is actually ok, but it is known for bringing about the end of 2D Animation at DreamWorks, so it may not be everyone’s cup of tea. There are quite a few scenes that actually come straight from Scheherazade such as the island that is actually a giant whale, and the battle against the Roc, a giant bird of prey.

    This aaaaalmost works

    Animator Ray Harryhausen also produced an extremely good version in the 1950s. It was his first color film and a huge popular success, with music by Bernard Hermann that many rank among the composer’s finest. The story doesn’t really match up with the Arabian version either, but it’s action barrels along at a breakneck pace. It even features an animated skeleton swordfight, which Harryhausen later stole from himself and used in Jason and the Argonauts. It also includes a scene near the end whereby a genie is freed from slavery to his lamp. This idea also cropped up in the 90s when another of Scheherazade’s stories from Arabian Nights was adapted. It’s further ahead in our countdown, so I’ll let you wait and see what I’m referring to, though most of you could probably guess it.

    No. It's not this.

    Because of its reliance and close scrapes, surprising reversals and the cyclical nature of its narrative the titular Seven Voyages, remain timeless story nuggets that many authors have flirted with through the years. There’s even an inscrutable parody of Sinbad stories written by none other than Edgar Allan Poe. You can find it here, if you dare.

    Next up … 71

  • House of Flying Daggers

    Extraordinary Adventure
    74

    There is a scene in House of Flying Daggers where Jin, played by Andy Lau, is being attacked by one of “the general’s” men. He is armed only with a bow and arrow and there is no good shot because his attacker is carrying a shield big enough to hid his entire body behind it. The bodies of the rest of the general’s men lie strewn about on the field of battle, their shields were of no help to them. And yet we the audience are not exactly sure how Jin is going to get the arrow through the shield of the man coming toward him. The solution is, like the rest of the House of flying Daggers, both ingenious and practical. He fires, but the arrow seems to be off its mark. It appears to be headed for one of the already dead soldiers. The oncoming attacker appears to be safe until Jin’s arrow bounces off the deceased soldier’s shield and is deflected into the oncoming soldier knocking him off his feet, deftly circumnavigating the soldier’s now useless shield. This is a scene that is indicative of The House of Flying Daggers as a whole.

    If I had to give characters in martial arts films one piece of advice it would be this: Stay out of the bamboo forest! Nothing good ever happens there.

    Released in 2004 this movie hit at the height of America’s brief obsession with a genre called wuxia. Which basically means “awesome kung fu” in English. The trend was started by an earlier film on our list the brilliantly titled Crouching Tiger Hidden Dragon. Daggers was directed by Yimou Zhang who is a famous foreign director famous for directing famous foreign films. One of which (Ju Dou) I actually saw in film class once, which basically goes to show you just how useless film class is. The one thing people always say about Yimou Zhang is that he has a fantastic gift for color. Which amazingly, is true this time and it is put on display in many sequences in Flying Daggers. And even more amazing is that he doesn’t fill the screen up so much with color that it overpowers the rest of the film.

    Here Yimou Zhang displays his gift of inexplicably long sleeves as well as his eye for color.

    The plot is fairly basic. Two warriors are escaping back to the secret fortress of the Flying Daggers, which is basically a band of rebels who rob from the rich and give to the poor. Sound familiar? Even though the plot is simple there are plenty of twists and turns. The two warriors are a man and a woman so is it any wonder they fall in love? Though one of them is blind they are both incredible masters of martial arts, which is good for us, because just as you think the movie is getting bogged down in the love angle. The action cuts in and takes the film for a dance. The ending is a tad over-dramatic, but the direction is crisp and the action is some of the best-choreographed work I’ve seen, even better than the aforementioned Crouching Tiger, even better than the Matrix, but still one below Jackie Chan.

    Even though the ending is a tad over the top, it takes place in a blinding snowstorm thereby totally redeeming itself!

    Next up … 73!